Moscow State Academy of Choreography
(Bolshoi Ballet Academy)

Official Ballet Teacher Training
  1. Online Certification Program
The World's Highest Level of Ballet Education
Live Format
With Simultaneous Interpretation
Enroll now
Moscow State Academy of Choreography

(Bolshoi Ballet Academy)


Official Ballet Teacher Training
Online Certification Program
The World's Highest Level of Ballet Education

Live Format

With Simultaneous Interpretation
ENROLL NOW

About the Russian State Moscow Ballet Academy

The Academy's history began in 1773, when Empress Catherine II signed a decree establishing a "dance class" at the Moscow Foundling Home. As one of the oldest and most prestigious ballet schools in the world, it has continued to produce the finest talents for the Bolshoi Theatre. Instruction is grounded in the Agrippina Vaganova method — combining classical tradition with a modern approach to deliver practical, world-class dancer training.
Notable alumni include Maya Plisetskaya, Vladimir Vasiliev, Ekaterina Maximova, Nikolai Tsiskaridze, and Maris Liepa.
In 2020, in recognition of its contributions to cultural exchange, the Russian State Moscow Ballet Academy (Bolshoi Ballet Academy) received the Minister for Foreign Affairs Commendation (Head of Overseas Establishment Commendation) from Japan.

In 2026, IMPRESSARIO LLC entered into an official partnership agreement with the Russian State Moscow Ballet Academy (Bolshoi Ballet Academy).

What Is the Ballet Teacher Training Online Certification Program?
This is not simply a lecture course.
It is a rare opportunity to learn directly, in a live format,
from leading instructors at the Moscow Ballet Academy. How are world-standard foundations built?
The answers come straight from the heart of Russian ballet's living educational tradition.
Program Content & Schedule
This program is divided into multiple courses.
You are welcome to enroll in just one course, or take all of them for a deeper and more comprehensive understanding of the Academy's teaching methodology.
Course 1:
Pre-Ballet
3 SESSIONS PER COURSE
(6 HOURS TOTAL)

Pre-Ballet Pedagogy

Ages 6–9


Learn the preparatory methods used to ready young children for academy entrance.



Content:

  • - Gymnastics (floor exercises)
  • - Eurhythmics (rhythmic movement)
  • - Classical ballet fundamentals
  • - Dance études


Instructor:

Svetlana Pavlova


Piano: 

Ekaterina Gorelova


Interpretation: 

English simultaneous interpretation provided


Certificate:

Issued with participant's name


Price:

1 course (3 sessions):

$ 990 (tax included)

Application Deadline: May 9


May 12: 18:00〜19:30

May 13: 18:00〜19:30

May 14: 18:00〜21:00

Course 2:
Classical Dance
3 SESSIONS PER COURSE
(6 HOURS TOTAL)

Classical Ballet Pedagogy

Year 1 / Ages 10–11


Learn the fundamental principles of teaching lower-level classes and the step-by-step formation of basic technique.



Content:

  • - Development of professional technique and knowledge
  • - Establishing correct body alignment and positions
  • - Structure of barre and center lessons


Teacher: 

Anna Ivanova


Piano: 

Olga Khouri


Interpretation:

English simultaneous interpretation provided


Certificate: 

Issued with participant's name


Price:

1 course (3 sessions):

$ 990 (tax included)

Application Deadline: April 21


April 23: 21:00〜22:30

April 24: 21:00〜22:30

April 25: 18:00〜21:00

Course 3:
Historical Dance
3 SESSIONS PER COURSE
(6 HOURS TOTAL)

Historical Dance Pedagogy

Year 1 / Ages 10–11


An essential discipline for developing stage etiquette, partnering skills, and expressiveness. Learn the foundations for bringing ballet stories and characters to life authentically.


Content:

  • - Introduction to partner work
  • - Stage manners and development of performance quality
  • - Historical dance styles (waltz, polka, etc.)

Teacher: 

Maria Isplatovskaya


Piano: 

Natalia Kisileva


Interpretation: 

English simultaneous interpretation provided


Certificate: 

Issued with participant's name


Price: 

1 course (3 sessions):

$ 990 (tax included)

Application Deadline: May 26



May 28: 21:00〜22:30

May 29: 21:00〜22:30

May 30: 18:00〜21:00

ENROLL NOW
Instructors
All programs are taught by current faculty of the Russian State Moscow Ballet Academy — teachers who are active at the highest level today.
Svetlana Pavlova
Svetlana Pavlova
Russian State Moscow Ballet Academy
Classical Ballet Teacher
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Maria Isplatovskaya
Maria Isplatovskaya
Russian State Moscow Ballet Academy
Associate Professor, Department of Historical Dance,
Character Dance & Contemporary Dance
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Anna Ivanova
Anna Ivanova
Russian State Moscow Ballet Academy
Classical Ballet Teacher
View Profile
Key Features of This Program
Experience "Living" Lessons in Real Time
Not a recording — interactive, two-way learning via Zoom
Official Academy Certificate
A certificate of completion demonstrating your expertise is awarded after each course
English Simultaneous Interpretation
Professional interpreters ensure you can fully grasp every detail without language barriers
Live Demonstration by Academy Students
Academy students serve as models, demonstrating combinations and providing explanations
Who Is This Program For?
  • Active ballet teachers looking to deepen their skills and study the Vaganova Method
  • Early-career instructors and students wishing to build a solid foundation
  • Ballet studio and school owners who want to incorporate the Russian children's training system
  • Professional dancers considering a transition into teaching

Voices from the Seminar

What Our Participants Are Saying

Hear from ballet instructors across Japan about their experience with the Moscow Ballet Academy Online Certification Program.

Attending this seminar literally made me stand up straighter. A live lesson happening in real time offers something you simply cannot get from books or videos — it is a truly privileged experience.

I have been teaching for over ten years, but in recent years I found myself increasingly confused by the flood of contradictory information on social media. I wanted to receive accurate, trustworthy knowledge from a school with a long history and genuine tradition — that was my motivation for joining.

The concept of weight transfer onto the supporting leg and blocking the axis fundamentally changed my understanding. I realized I had been teaching it differently than I should have. The explanation of arm use — the release of tension in the fingertips during port de bras — was also exceptionally clear, and I incorporated it into my very next lesson.

Through the seminar, I was able to confirm that my foundational teaching approach was on the right track. The doubt I had about my own methods disappeared, and I now teach with greater confidence. That alone was worth more than anything.

I would especially recommend this to teachers who have studied abroad, or those considering sending their students to study in Russia or Europe.

Even through a screen, a live lesson with real students is an entirely different experience from a simple lecture. Being able to witness the teacher correcting students in the moment — that was the most valuable thing of all.

M.

Ballet Teacher · Ibaraki Prefecture · 10+ Years Teaching Experience

Program Rating: 10 / 10

Real students from the Academy performing an actual lesson, with the teacher carefully explaining each and every moment — this is a truly rare opportunity. I wholeheartedly recommend it to any teacher who is serious about their craft.

I have been teaching classical ballet for over 30 years, but I had long wanted to properly study MGAH's systematic pedagogy — its academically deep, year-by-year structured methodology. I wanted to see the whole picture from the inside.

That core body positioning is the foundation of everything. The teacher's explanations were so detailed and precise that they prompted me to reconsider several habits I had accumulated over the years. The careful breakdown of foot use at each stage of movement was particularly valuable.

After the seminar, my desire to learn more grew significantly. I realized that without a deep understanding of the method, there is a risk of inadvertently causing harm to students. I am currently revisiting foot anatomy and have enrolled in additional courses.

To every teacher who takes their teaching seriously, regardless of years of experience. This seminar will always offer something new to discover.

Even through a screen and through interpretation, everything came through with complete clarity. I believe that is a testament to how deeply the teacher truly understands the material.

Eriko Uehara

Hervé Ballet Academy · Yokohama · 30+ Years Teaching Experience

Program Rating: 8 / 10

The way the teacher chose her words when speaking to students, and the hands-on touching technique used to guide the body — that became my real learning. I didn't just gain new knowledge; the way I approach my students fundamentally changed.

I have been teaching for a long time, but I felt the need to reassess myself. When you work in the same place for many years, there is a risk of losing a fresh perspective. The MGAH seminar felt like exactly the opportunity I needed for that.

Three things I still apply every single day: first, touching — the technique of guiding a student's body with your hands; second, lesson structure — a logical and clear flow; and third, the specific words and imagery used with children. Children respond to different language than adults — being able to study that systematically made a significant difference.

My approach to students has changed. I now observe more before intervening. I have also changed the way I use language. As a result, the speed at which students understand instructions has noticeably improved.

I would especially recommend this to teachers who have never studied a systematic, academic pedagogy. For those who have learned purely through practice, this seminar will reveal the methodology that has been missing.

Being able to observe a live lesson with real students is nothing like watching an instructional video. You see the mistakes, the corrections, the students' reactions — all of it. That is what makes it living learning.

Yukari Higashimatsu

Miyaji Gakki Lalaport Tachikawa Tachihi Center · Tokyo · 10+ Years Teaching Experience

Program Rating: 9 / 10

The explanations were so clear that I was able to put them into practice in my own lessons immediately. The students who participated as demonstrators were also remarkable — you could feel how carefully and thoughtfully they are taught at this school. Thank you so much for this opportunity.

I wanted to raise my level of knowledge. I have been teaching for many years, but felt that my academic grounding — particularly around en dehors — was insufficient. MGAH is known for its systematic approach, and that was the deciding factor for me.

Everything in the course — and I mean that sincerely, not as flattery. Each block was carefully crafted, logically structured, and supported by live examples with students. In particular, regarding en dehors: I finally understood correctly how to communicate it to children at each stage of their development.

My explanations to children have become considerably clearer. Where I used to rely on technical terminology, I now choose imagery that can be felt in the body. The difference in how students understand is unmistakable.

To every teacher who works with children. Regardless of how long you have been teaching, there is always an opportunity to reflect on your methods and improve.

Watching the students of the Moscow Ballet Academy was a great source of inspiration. The quality of their preparation, their seriousness, the quality of their movement — that in itself was the most powerful argument for the program. I found myself wishing my own students could move like that.

Rena Murata

Chaika Ballet Studio · Tokyo · 10+ Years Teaching Experience

Program Rating: 10 / 10

Opportunities to observe a real lesson this closely are rare. It was a truly invaluable experience. I was able to take home concrete insights into how to work with Japanese children whose bodies are considered less suited to classical ballet.

I have been teaching children in Osaka for many years. My greatest challenge is that many of my students have body types considered less advantageous for classical ballet. I was looking for a teaching approach that allows growth even within anatomical limitations.

Three blocks stood out in particular: pelvic positioning — I learned new ways to explain and correct it more precisely; arm movement — details I had never noticed before; and the language of instruction. A teacher's words are just as important a tool as demonstration.

I changed several phrases I had been using for years. It may seem like a small shift, but the response from students is completely different. It reminded me once again of just how important language is in teaching.

I would especially recommend this to teachers who have not studied abroad and have taught primarily within the Japanese environment. This seminar offers a chance to see a genuine academic ballet tradition from the inside — without ever leaving the country.

The online experience was much better than I had expected. I believe what gave it real depth was the fact that it was a genuinely live lesson — not a pre-prepared demonstration.

K.

Takano Kaori Ballet School · Osaka Prefecture · 10+ Years Teaching Experience

Program Rating: 8 / 10

All participants have provided written consent for their testimonials to be published.

Frequently Asked Questions
A summary of questions we receive before enrollment. Please feel free to contact us.
Enroll Now

For inquiries or to register, please don't hesitate to reach out!

Russian State Moscow Ballet Academy

(Bolshoi Ballet Academy)

Official Ballet Teacher Training Online Certification Program

Registration Form

Hello everyone.
I am Andrei Orlov from IMPRESARIO.
We are pleased to announce that our company has entered into a new partnership with the Russian State Moscow Ballet Academy (commonly known as the Bolshoi Ballet Academy).
In collaboration with the Russian State Moscow Ballet Academy, we are launching an online certification program for ballet educators.
This program is designed to help teachers who are actively instructing in studios deepen their professional expertise on a solid academic foundation.

Program Objectives
To introduce international instructors to the Russian ballet education system (Vaganova Method) adopted by the Academy, and to enable them to apply that knowledge practically in their daily teaching.

Course Content & Schedule
Course 1: Pre-Ballet Pedagogy (Ages 6–9)
3 sessions · 6 hours total
Learn the preparatory methodology for young children ahead of Academy auditions.
Dates: Tuesday May 12, 18:00–19:30 · Wednesday May 13, 18:00–19:30 · Thursday May 14, 18:00–21:00
Content: Parterre gymnastics, eurhythmics (rhythmic movement), classical ballet fundamentals, dance études
Registration deadline: Saturday, May 9

Course 2: Classical Ballet Pedagogy (Year 1 / Ages 10–11)
3 sessions · 6 hours total
Fundamental teaching principles and step-by-step foundation building for lower-level classes.
Dates: Thursday April 23 · Friday April 24, 21:00–22:30 · Saturday April 25, 18:00–21:00 →Completed 
Content: Development of professional qualities (spatial awareness, musicality), correct body alignment and positions, barre and centre lesson structure
Registration deadline: Tuesday, April 21

Course 3: Historical Dance Pedagogy (Year 1 / Ages 10–11) 
3 sessions · 6 hours total
An essential discipline for cultivating stage etiquette, partnering skills, and expressiveness. Learn the foundations for portraying ballet narratives and characters with greater authenticity.
Dates: Thursday May 28 · Friday May 29, 21:00–22:30 · Saturday May 30, 18:00–21:00
Content: Introduction to partnering, stage etiquette, development of acting skills, historical dance styles (waltz, polka, etc.)
Registration deadline: Tuesday, May 26

Instruction is delivered live in real time by prominent, actively working Russian teachers.
The defining feature of this program is that it is not passive, one-way video learning — it is a live format where you participate in actual lessons in real time.
Upon completing each course, participants will receive an official certificate of completion.

Participation Fee 1 course (3 sessions): $990 (tax included)
Please read our Privacy Policy before registering.

We deeply respect each and every instructor who participates, and aim to further strengthen and develop the network between the Russian and Japanese ballet education communities.
We hope this project will serve as a bridge connecting tradition and innovation, a bridge between our two countries, and a bridge between hearts united by a love of ballet.

IMPRESARIO LLC
Representative: Andrei Orlov 


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Please share your studio's history, size (number of students), competition results, graduates' career paths, students' study abroad achievements, etc.
Reason for wanting to join this program (multiple answers allowed):
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